A few people have been asking how I created my 'rain in a jar' cinemagraph, which I posted on Instagram last week, so I thought I'd put a quick tutorial together.
Lumyer is a free-to-download app, available on both iOS and Android. I have an iPhone, so these steps apply to that version. I understand that the Android version has fewer options for adjusting effects, which is a shame, but you can still get some good results.
Before I start, another word on cost. While the app itself is free, there are quite a few additional charges to get the full functionality. You'll need to pay to remove the watermark, and to add a third effect on an image (the first two are free). While there are some free effects, you will also need to pay for additional ones. I still think it is pretty good value, but it can add up if you buy a lot of effects.
So let's bottle up some rain!
1. This is the Lumyer start screen. To import a photo from your phone tap on 'Gallery'.
2. Select your image, and tap on the tick mark (top right)
3. The edit screen will come up:
4. Explore the effects. You can browse free effects along the bottom of the screen. If you scroll all the way to the right and tap on 'see all' you'll be able to browse all the effects available. You can preview them before you buy, but unfortunately not on your own photos. Once you've bought an effect it will be added to the menu on your edit screen.
5. Time to add an effect! Simply tap on an effect from the list across the bottom of the screen. It will immediately be applied to your image. You can then adjust the size, rotate the effect, and fade it. To choose which control to use tap the three dots on the right, and use the slider to adjust.
6. Shrink your effect to fit the image. To add weather to a jar (or more generally to apply the effect to a smaller area of your picture!), you just need to adjust the size down and move the effect to the correct area of your image. You won't be able to change the shape of the effect (although it can be rotated), so a square object or area will work best.
7. Add more effects to create your scene, by tapping Fx2 and Fx3 at the top of the screen. For my rain in a jar I used two layers of the mist effect, to add height and give some depth, and a layer of the heavy rain effect. And there you are: rain in a jar!
I rarely share photos of my calligraphy without a prop or two. It isn’t just a matter of styling the lettering for best effect: to me the photograph is the finished piece.
I enjoy the process of composing and shooting just as much as I do putting ink on paper... which is why I keep a full supply of dead vegetation on my desk! My stash of stationery also comes in handy of course.
Sometimes the props do just as well on their own, too: who knew washi tape, string, sage and ballpoint pens could look quite this satisfying?
There is just something about this time of year...
I never grew out of the pleasures of a new school year. I remember the leather smell of satchels and pencil cases, the sound of chalk on the blackboard, the pastel-coloured sheets of blotting paper... I also had a slate just like this one (no, I'm not quite as ancient as this makes me sound!).
I always enjoyed the annual supermarket trip to stock up on school supplies – my love of stationery runs deep – but it was also all about the promise of a brand new year ahead. A clean slate. Whether it was the excitement of learning new things, making new friends, a new school or just a new classroom, every year felt like the start of an adventure.
I still see September as marking a new year. New year's eve is an excuse for cooking and champagne (and hand-lettered menus, obviously), but I don't think I've ever made a new year's resolution. Autumn however? Summer breaks are the perfect occasion to dream, reflect and plan, and what better time than September to resolve to learn new things?
This year I am not going back to school, but I am signing up for calligraphy challenges, taking graphic design classes online, resolving to write regular blog posts and planning my Instagram photos. Oh, and buying new stationery, of course.
This post was inspired by the Simple & Season newsletter's monthly creative prompt.
Paper makes all the difference. The quote above refers to writers, but may as well be about calligraphers. Whether it's using the smoothest paper to better practise strokes or taking advantage of the texture of handmade sheets to steady an uncertain hand, stationery matters. I'd go for texture every time: rag paper especially brings the best out of my calligraphy, and it photographs beautifully (those deckled edges!).
All this is also the perfect excuse for an endless stationery quest. My latest find is Choosing Keeping's beautiful 17 century drawing paper sketchbook (in grey!). I have my eye on Shepherds' handmade paper selection next: those blues and greens...
For more accessible and affordable options, Paperchase stock handmade cotton rag paper in a range of sizes. They also have some nice shades among their loose paper and envelope selection as well as handy packs of kraft paper (all with that element of texture).
But, calligraphy aside, all paper will do: the smell of books drifting out of Blackwell's, freshly printed sheets out of the office printer, pads, notebooks or luggage tags, paper bags, greeting cards and gift wrap - I'll take it all.
I joined Instagram three months ago (a little late to the party...) and, 50 posts in, it has been a revelation. I have been inspired, motivated to create and share, and encouraged to keep going by all the lovely feedback. I managed, against my own expectations, to complete May's #happyletteringchallenge, delivering all 31 posts, and have seen my calligraphy improve and my style develop. I was nervous about sharing my lettering publicly, but it has been such a positive move, and, as it turns out, just what I needed.